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Month: June 2020

D. Cullen Announces Next Single

‘Rainbow Weather’, the latest single from D. Cullen, peeps out from behind the many dark curtains of 2020 to shine a ray of sunlight on a brighter outlook and a better future. It is released on 26th June.

It’s about taking the sweet things from the bittersweet moments in life…focussing on the rainbow after the rain has poured down. And trying to find pleasure in small things when uncertainty surrounds you,” Dubliner D. Cullen opines.

The song was written in a dressing room in 10 minutes by D. Cullen and Boo Hewerdine. Although it was written before the pandemic it has developed a resonance that seems to fit current collective moods perfectly.

Talking about their writing relationship Boo (ex-The Bible, who has written with, amongst others, Sia, KD Lang, Duke Special, David McAlmont and Eddi Reader) explains, “I met him at a songwriting camp I was running and was immediately struck by his writing skills and have with him ever since. As well as being a great writer he has fantastic taste and a real depth of knowledge.

The recording was handed over to renowned New-Wave producer and engineer Roger Bechirian (Elvis Costello, The Undertones, Squeeze and Bell X1), who worked a damn catchy tune into a punchy, beautiful, harmony-laden monster pop tune.

“’Rainbow Weather’ was an exciting song to work on,” Bechirian exclaims. “For me it evokes memories of ELO, Supertramp, even The Beatles! But with a great modern twist. D. Cullen is definitely doing something a bit special.

‘Rainbow Weather’ is the follow-up to two late-2019 releases. ‘Alright’, with its good vibes, penetrating horns and rousing chorus, was released at the end of September, debuted with a performance on The Late Late Show, and quickly became one of the most played songs on RTE Radio One. D. Cullen closed the year with ‘The Rising Tide’, a brooding string-laden track accompanied by a stunning black and white video.

D. Cullen will play a live show on Instagram on Tuesday 30 June at 8pm. Admission is free, bring your own beer and join the party at: https://www.instagram.com/dcullenmusic/

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Equality In Music | New Power Generation

Over the years, IMRO has consistently pushed for gender balance in the Irish music industry. We take a look at its work with important organisations like Keychange, Sounding The Feminists and Girls Rock Dublin | By Lucy O’Toole, Hot Press

You may be aware of IMRO’s important work collecting and distributing performance royalties, but did you know that the organisation also plays a crucial role in fighting to end inequality in the music industry? Whether sponsoring groundbreaking gender balance initiatives, hosting seminars, or supporting the next generation of young female musicians, IMRO has continuously positioned itself at the forefront of the battle for gender equality in music.

Although female pop stars like Beyoncé and Ariana Grande are headlining some of the biggest stages around the world, it’s important to also recognise that women remain severely underrepresented in numerous roles across the music sector. In January 2019, the Annenberg Inclusion Initiative in Los Angeles published their second annual report on gender and race in popular music, and found that, across 700 popular songs from 2012 to 2018, only 2.1% of producers were women.

The situation in Ireland and wider Europe is just as challenging. However, IMRO is one of several major organisations looking at ways to address this lack of representation. In December 2018, IMRO announced its sponsorship of PRS Foundation’s Keychange initiative – a project that’s tackling gender inequality at music festivals head-on.

“We have a pledge that festivals can sign up to, so they can target reaching a 50:50 gender balance by the year 2022,” project manager Jess Partridge told Hot Press earlier this year. “Over 150 festivals have signed up since we started a year ago, and it’s constantly growing.”

Keychange is also a talent development programme, investing in the next generation of female talent in music. In the first stage of the programme, Partridge revealed that Keychange brought “a group of 60 women to different festivals, and has put on workshops to give the women an opportunity to network.”

By partnering up with Keychange, IMRO has joined a prestigious list of sponsors that includes the likes of Spotify, Soundcloud, the British Council, Songtrust and various other national performance rights organisations. IMRO’s support is enabling female artists from Ireland to take part in this unique initiative, and to collaborate with artists from a network of 12 countries, as Keychange continues to expand its programme. Ireland’s Hard Working Class Heroes Festival is a participant in the initiative.

Speaking at the announcement of the partnership, IMRO’s Eleanor McEvoy stressed that that “international collaboration is essential to the creative and business development of all artists and the music industry’s future success. Enabling more women access to international networks and new markets at critical stages in their career will help them realise their potential as future leaders of an industry that is ready for and will benefit from change,” she continued. “Right now we have an opportunity to respond and commit to tangible change within the music industry. Our hope is that this will be the start of a more balanced industry which will result in benefits for everyone.”

Of course, the fight for gender equality in the music industry is a multifaceted one. Seminars, public meetings and workshops are all crucial steps towards sparking a wider conversation about representation in the music sector. With support from IMRO, Sounding The Feminists (STF), an Irish-based, voluntary-led collective of composers, performers, musicologists, critics and promoters, have organised a series of free music industry seminars for female (cis and trans) and non-binary artists of any age or experience level.

Through these ‘Pitch Perfect’ professional development workshops, STF looks to address the lack of representation across the music sector, while also building a community where gender issues can be readily discussed. Participants are offered instruction in how to best pitch their ideas to organisations, publishers, agents and radio stations. In doing so, the women learn how to carve out a positive space for themselves within the music sector.

Through IMRO’s sponsorship, STF have been able to cover the expenses of participants travelling to the workshop from outside Dublin City Centre – ensuring that the free seminars can be accessed by all.

IMPORTANT RESOURCE
IMRO are also passionate about building an inclusive world for the next generation of Irish talent, and as such, are nurturing young female musicians through their sponsorship of Girls Rock Dublin. Part of the global Girls Rock movement, the camp provides a unique environment in which 20 teenage girls can express themselves through music tuition and collaborative workshops.

Led by coaches active in the local independent music scene, along with some very special guests, the camp provides an invaluable space for young female artists, many of whom describe feeling intimidated by the male-dominated music world when starting out. “Our aim is to build up self-esteem in girls, but what we’re ultimately trying to do is bring about a new, confident generation of female musicians, and a gender balanced music scene,” Rossella Bottone of Girls Rock Dublin tells IMRO.

“Last year I found out about the IMRO sponsorship, and decided to get in touch with them to see if we matched their criteria,” she continues. “They loved our gender balance focus. This year we’ve applied again and got the same sponsorship, which is great. It’s nice to know that they really care about what a group of volunteers like us are doing.”

Based in the Sound Training College in Temple Bar, Girls Rock Dublin caters for those who identify as female (trans and cis) or gender non-binary, aged between 12 and 17. Since its launch three years ago, the non-profit group has passionately embraced and promoted diversity.

“Half of our 20 places go to applicants from low-income households and direct provision,” Rossella says. “We’ve recruited girls in direct provision through organisations that work with them directly, like MASI [Movement of Asylum Seekers in Ireland] and RAMSI [Refugee and Migrant Solidarity Ireland]. It’s an issue we’re really passionate about.”

2019 also saw the introduction of a Ladies Camp on the October Bank Holiday for artists over 18, as well as the launch of the Girls Rock Dublin Gear Library, in partnership with Dublin Public Libraries. The programme, which will allow teenagers to loan out music equipment, is sure to become an important resource for up-and-coming, cash-strapped musicians.

WIDER SOCIETY
With the support of IMRO, Girls Rock Dublin has also hosted the ‘Switched On’ interactive evening workshop, for women over 18. Led by expert coaches, the participants were offered the opportunity to explore one of three key topics: live sound engineering, guitar and bass pedal effects, and vocal looping. The fee for the ‘Switched On’ workshops also went back towards funding the Girls Rock Dublin summer camp – allowing female musicians to support their younger counterparts, while also learning invaluable skills.

IMRO has also reached out to the next generation of emerging female talent by hosting songwriting masterclasses with Grammy nominee Carla Marie Williams. The interactive workshop coincided with Women’s History Month in March this year, and covered the fundamentals of songwriting, while simultaneously serving to empower Ireland’s future female songwriters, producers and artists.

While the struggle for gender equality in the music industry is far from over, the work of groups like Keychange, Sounding The Feminists and Girls Rock Dublin has ensured that the issue is finally coming to the attention of wider society. By working closely with these valuable organisations and initiatives, IMRO has taken significant steps towards making gender balance in the Irish music scene the accepted norm, allowing artists to concentrate on the important stuff – making music.

Ailbhe Reddy Returns with Single and Video

On Wednesday 24th June 2020, one of Ireland’s most hotly-tipped emerging artists, Ailbhe Reddy, will release her first single in almost two years. 

Written on the precipice of a break-up, ‘Time Difference’ captures a moment of realisation as two lovers find their lives veering in opposite directions. 

Personal and poignant, the track was written in the middle of a run of dates with Will Varley in 2018, as Ailbhe began to embrace the out-of-hours lifestyle demanded of a touring musician. Alone in her hotel room after a show in Glasgow, the disparity between the city’s bustling nightlife and her own isolation seemed to echo the vacillating feelings of loneliness and excitement she felt at that time in her life. Pausing in a moment of reflection and realisation, ‘Time Difference’ fell into place there and then.

“The lyrics are dealing with how it feels to make something work long distance while living on a very different schedule to my girlfriend back home.” says Ailbhe. “But it also reaches back to other times in other relationships where I couldn’t make things work because of the same issues, there was always something in the way, be it physical distance or timing.”

Written with Ailbhe’s typical eloquence and poise, it’s at once life-affirming and heartbreaking. Backed with blissful indie-pop arrangements reminiscent of Sufjan Stevens or SOAK, it’s a single that will sew itself into your consciousness. 

Also released today, the sweet ‘Time Difference’ video sees Ailbhe team-up with her old friend and videographer, Ciaran O’Brien. Looking at the track’s themes through a lighthearted lens, the video was filmed in Dublin over two days and stars Ailbhe as she navigates her way through a series of jobs with anti-social hours, seemingly trapped out-of-sync with the rest of the world. 

As Ailbhe says: “I wanted to represent that feeling of being on a different schedule to everyone else by showing what it would be like if I worked an office job. I spent a lot of my early twenties working in offices while playing late night gigs in Dublin so it was just having a bit of fun with that idea.”

Produced by Erland Cooper and Tommy McLaughlin (producer and touring member of SOAK), the single is just one of many deeply intimate and absorbing tracks planned to feature on her upcoming debut album – set for release via Ailbhe’s own label, Friends of the Family. Three years in the making, her forthcoming album will find Ailbhe ruminating on the rites of passage in life as a young, emerging, queer artist from Dublin.

www.ailbhereddy.com

Flecks Announce Release of ‘Cinematic Heartbreak’

On June 28th, Flecks will release a brand new single called ‘Cinematic Heartbreak’. ‘Cinematic Heartbreak’ is a story of love and conflict between two characters called Red Eyes and Big Lies and how they try to navigate their lives through heartbreak and their increasingly distant worlds.

Flecks continue their love affair with big synths and drum machines in what they consider to be their catchiest, most poppy song yet. The eye-catching illustration for the single is by David Rooney with animation by Karen Kelleher. Flecks will be releasing the animation as a teaser for the song in the coming weeks.

Flecks are Freya Monks and Scott Halliday, a synth-pop duo from Dublin. They have been writing songs together since 2012, sharing their love of writing and production. 80’s movies, classic synth-pop and dark, atmospheric film scores heavily inspire their music.

In 2016, Flecks released their debut EP entitled ‘Girl’, which was recorded, produced and mixed in their studio in Dublin. It was greatly received, gaining national radio play and landing a placement in RTÉ’s thrilling drama ‘Striking Out’, with their track ‘Objects of Desire’.

2018 saw the release of their most popular song to date: ‘Samurai’. Which is a song about growing up in a gang of friends, mischief, bravery, becoming a warrior in your own life by standing up to people and things you’re afraid of.

Since the inclusion of ‘Samurai’ on Spotify’s New Music Friday UK playlist in 2018, Flecks have gained and continue to gain a steady following and listenership.

In 2019, their follow up to ‘Samurai’ was the dark and mysterious ‘Doubles’ written about secret lives and star-crossed lovers. ‘Doubles’ was chosen to feature in a worldwide ad campaign for global brand Estée Lauder.

2020 has already seen the release of several new singles including ‘You Bet I Would’ and ‘Hold On’ both of which have been very well received by both Irish and International radio including play listing on RTE Radio 1.

https://www.facebook.com/weareflecks/
https://twitter.com/weareflecks
https://open.spotify.com/artist/5xPebViwCi1vLh20kKF8rw?si=uATLUSl8SouPd489JpMvTw

ChilloHertz Shares ‘Down Time’ EP

With influences from The Prodigy, Daft Punk, St Jermaine and Massive Attack, married to a personally burgeoning love of electronic music production, ChilloHertz has created an EP of chilled out tunes with a diversity of moods and indeed time signatures. Better known as Alan Morton and better known for his guitar playing with rock band Lugosi and punk band The Nilz, ChilloHertz has discovered his love of electronic music production while studying Ableton as part of a sound engineering course in the Sound Training College.

This tool allows for the experimentation and exploration of sound in a way that is not possible with normal instruments,” and as much as he loves working with the two bands he is a member of, he has found it equally enjoyable to work alone and creatively go down any and all avenues this particular creative process permits. “There are few rules in a truly creative band, but there are even less when you only answer to yourself.” That said, ChilloHertz is definitely planning collaborations with some of the wonderful creative artists he got to know in college and is truly excited to see what will be the output of those efforts.

Pick your streaming service of choice below and enjoy ‘Down Time’ preferably with your feet up.

Spotify; https://open.spotify.com/album/2MjBqVaMaCJlon2P8KtcCz
Apple Music; https://music.apple.com/us/album/down-time-ep/1518447748?uo=4&app=apple+music
Amazon; https://www.amazon.com/gp/product/B08B549NQ6
GooglePlay; https://play.google.com/store/music/album/ChilloHertz_Down_Time?id=Bj5zou67if5w67uf53vom43imti
https://www.facebook.com/ChilloHertzMusic/

Luka Bloom Unveils Taste of New Album

Luka Bloom has been quietly beavering away writing songs in his home in north west county Clare for the past 2 years. Just prior to the world shutting down due to the Covid crisis last March, this collection of songs was recorded live over several days at Windmill Lane Studios in Dublin, with his hand-picked dream line-up of musical collaborators. These include Steve Cooney on guitar, Robbie Harris on percussion, Jon O’Connell on bass and Adam Shapiro on fiddle. Vocals were recorded separately during lockdown by Sligo singer Niamh Farrell and mixed and mastered by Brian Masterson.

The album is a collection of eleven songs and will be released on July 20th but in the meantime, Luka is releasing one of the tracks, ‘The Beauty of Everyday Things’ as a taster. “This is, I hope, the perfect song to begin with” he says. “I wrote it in the Summer of 2019 while reflecting on the simple beauty of life in Ireland, especially as the summer slowly unfolds. Life moves outdoors, we love it and it passes too soon, so let’s enjoy it all and celebrate it, hoping it lingers...” 

Luka’s single, ‘The Beauty of Everyday Things’ is available to download now from lukabloom.com

IMRO Welcomes 14,000th Member

The Irish Music Rights Organisation (IMRO) is delighted to welcome Synead Toomey as our 14,000th member.

Synead Toomey is an Irish singer/songwriter from County Limerick. Her musical journey began while busking in Limerick City in 2012 and she has continued busking ever since. From busking, her career has progressed to playing gigs in venues both locally and nationally. Synead has just completed 4 years studying a BA in Voice and Dance in the Irish World Academy in the University of Limerick (p.s. please don’t ask her to dance).  Her original music has been described as soulful acoustic and a style deeply rooted in an Indie-folk genre. Over her musical career, Synead Toomey has performed with and supported many artists such as Emma Langford, Ryan Sheridan, David Keenan, Wyvern Lingo, Gavin James and more.

Her forthcoming EP ‘Falling’ has been described as heartfelt and heavily influenced by everyday life experiences. The title track ‘Falling’ describes the feeling of falling in love with the right person at the wrong time. This EP is set to be released on August 14th 2020.

Aine O Gorman Releases ‘Desolation’

Written just before the pandemic, Aine O Gorman performed an acoustic version of her latest single ‘Desolation’ on Facebook for fans in the early weeks of lockdown. The no-frills recording was a huge success on social media with an astonishing 170,000 views. 

‘Desolation’ is Aine’s third release.

Eve Blair of BBC Radio Ulster said of Aine’s First release ‘Lydia’, “Absolutely stunning.” Five time GRAMMY Award winning producer Ryan Freeland said of ‘Lydia’, “Wow! I’m really digging this track.”

Aine has been played on RTÉ Radio 1, BBC Radio Ulster, Midlands FM, KCLR, RnaG, Cry FM, 8 Radio.

Creative Ireland Kerry- Creative Projects in Communities 2020

The Arts/Creative Ireland Kerry Office at Kerry County Council are seeking quotations from creative professionals, communities and organisations to develop projects in each Municipal District in 2020.

Following on from the success of the 2019 Creative Ireland Kerry Municipal District Projects, Creative Ireland Kerry is delighted to announce further opportunities in 2020. Creative Ireland funding programme is now open for creative practitioners and citizens across Kerry to support creativity in the community.

The initiative is seeking creatives and communities to engage with the themes of environmental sustainability, innovation and creative industry and the projects must have a creative element and offer opportunities for participation and engagement by communities, audiences and the wider community.  A budget of €8,000 has been assigned to each of the Municipal Districts of Tralee, Listowel, Killarney, South Kerry and Castleisland/ Chorca Dhuibhne.

Quotations are being sought from via the website http://www.kerrycoco.ie/home3/arts/arts-forms/

The closing date for receipt of quotations is 1.00pm Monday 13th July 2020.

Creative professionals from any creative discipline are invited to quote. This includes cultural project managers, arts festivals and organisations, parade organisers, community-based organisations and artists working in any artform (architecture, traditional arts, visual arts, music, theatre, film, dance, literature, circus, opera) and/or professionals from across the creative industries such as graphic & product designers, animation studios, craft makers and designers, publishers, as well as TV & film production and animation specialists. Quotations are welcome also from festivals and arts organisations with a proven track record either based in the county or who are willing to work on a project in the county.

Applicants must have experience of creative programming and an ability to engage audiences and participants so that many communities can get involved.”, stated Kate Kennelly, Arts Officer/Creative Ireland Kerry Co-ordinator.

Interest from collaborative teams who are willing to work across sectors such as arts, heritage and design are also welcome to submit a quotation to realise a project. Local impact is key, and projects are being sought that will use creative processes and experiences to achieve intensive collaboration at local level. Multiple villages, towns and townlands across each specific MD may be included or projects can be concentrated in one area within a Municipal District. Projects must be delivered in 2020. This is an exciting opportunity and Creative Ireland Kerry look forward to seeing some very creative results in the year ahead.

Jessy Rose Returns with ‘Bloom’

Jessy Rose is a prolific 22 year old songwriter who grew up in Dublin to parents of Congolese descent. Signing to Columbia Records in 2016 with his band Hare Squead, Rose went on to front the band as they amassed over 50 million streams, collaborated with Goldlink, supported Dua Lipa on her European tour, and performed at festivals across Europe.

In 2017 things took an unexpected turn however as Jessy suffered a mental health crisis which precipitated his exit from Hare Squead. Following treatment and a period of self reflection, Jessy is returning to music fully focused. The Blanchardstown native has experience in the studio with producers like Hoskins, SG Lewis, Jazz Purple, Hoost, Marc Dowding, and Felix Joseph, as well as co-writing Mahalia fan favourite ‘Sober’.

Jessy’s first solo foray, a feature on Ben Esser’s introspective RnB single ‘Daily’, was released on April 10th this year and was added to the influential Spotify playlist Butter, with over 500k followers. The track has racked up over 200k streams across Spotify and Apple Music in six weeks, with Jessy’s characteristically catchy hooks proving as popular as ever.

Finally ready to emerge in 2020, the young Dubliner has found inner peace and is eager to tell his story, with exciting new music and a compelling tale of redemption and rebirth to share. ‘Bloom’, Jessy’s first proper solo release, is a powerful ballad which showcases his extraordinary voice.

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