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IMRO Radio Awards Shortlist Revealed for 2019

It has been another stellar year in radio broadcasting on the island of Ireland and the crème de la crème were today announced on the IMRO Radio Awards 2019 shortlist. A major highlight of the industry year, the Awards, which are sponsored by IMRO and BAI, will take place on Friday 4th October at the Lyrath Estate Hotel Kilkenny. The names of those taking home the trophies will be a closely guarded secret until the night itself.

Prior to the main Awards night, the IMRO Hall of Fame induction ceremony will be held at the BAI offices on Tuesday 24th September. Four new inductees will be awarded the honour and join the list of those who have made significant contributions to radio in Ireland.

Speaking about the significance of the event, Chair of the IMRO Radio Awards committee, Tom McGuire said “The IMRO Radio Awards is an important media milestone as it recognises the excellence of Irish radio; celebrates the contribution of broadcasters to the national conversation and for one night only brings together the nation’s stations.”

Eleanor McEvoy, IMRO Chairperson said “After much deliberation and debate the judges have selected an incredible shortlist of 185 Finalists whose broadcasting output fully embodies the broad spectrum of radio content in Ireland today. Irish audiences’ appetite for quality radio output continues to grow, fuelling outstanding creativity, story-telling and audience engagement from broadcasters throughout the country. And this is abundantly evident from the quality of submissions received this year. We wish all of the shortlisted entrants the very best of luck.”

Michael O’Keefe, Chief Executive of BAI said “The BAI is delighted to support the IMRO Radio Awards 2019, which recognise creativity and excellence in the Irish radio sector and highlight the impressive level of high-quality, culturally relevant radio content available to audiences in Ireland. The IMRO awards are highly regarded and coveted and the BAI congratulates all the shortlisted candidates and wishes them well on the awards night in October.”

Shortlist

Category Station
A1  
General Music Programme  
Dermot and Dave Today FM
More Music with Philip Bourke Cork’s Red FM
Muireann O’Connell Show Today FM
The Big Ride Home with Dara Quilty 98FM
The Saturday Soundtrack with Peter Devlin Radio Nova
   
A2  
Specialist Music Programme  
Céilí House RTÉ Radio 1
Music and the Mind: Music and Relaxation RTÉ Lyric FM
The Beat Goes On Today FM
The Paul McLoone Show Today FM
The Tom Dunne Show Newstalk
   
A3  
Breakfast Programme  
Beat Breakfast Beat 102-103
Breakfast with Ray and Jay Cork’s Red FM
Fully Charged with Graham and Nathan Spin 1038
KC and Ross in the morning Cork’s 96FM
The Ian Dempsey Breakfast Show Today FM
   
A4  
Music Special/Music Event  
Astral Week’s at 50 BBC Radio Ulster
Marty in the morning, Beatles White Album at 50 RTÉ Lyric FM
Proms in the Park BBC Radio Ulster
Tom’s Trip to Tipp – The Tom Dunne Show Newstalk
The Trip to Tipp Tipp FM
   
A5  
Irish Music Programme or Initiative  
Composer Lab on Blue of the Night RTÉ Lyric FM
Electric Mainline BBC Radio Foyle
Folk Awards RTÉ Radio 1
The Long Road RTÉ 2XM
Urban Hymns RTÉ 2FM
   
B1  
News Story/News Event  
BBC Radio Foyle – Lyra McKee BBC Radio Foyle
National Broadband Plan Newstalk
The Battle of the Boyne – Drogheda’s drugs war LMFM
Thank you Laura Clare FM
The Grand Hotel East Coast FM
When Mistakes Cost Lives Radio Kerry
   
B2  
News Programme – Full Service  
Bloody Sunday: The decisions live BBC Radio Ulster/Foyle
Evening Extra BBC Radio Ulster/Foyle
This Week: Brexit’s Meaningful Vote RTÉ Radio 1
   
B3  
News Programme – Local/Regional  
Downtown and Cool FM news teams Downtown and Cool FM
Extended News Bulletin Cork’s 96FM
Optics, Than Fibre Optics Shannonside
Rooskey under fire Shannonside
The Breakfast Show BBC Radio Foyle
   
B4  
Current Affairs Programme – Full Service  
Between the Lines Newstalk
Newstalk Breakfast Newstalk
Saturday with Cormac – the meaning and values of Irishness RTÉ Radio 1
The Hard Shoulder Newstalk
The Pat Kenny Show Newstalk
   
B5  
Current Affairs Programme – Local/Regional  
Deise Today – Waterford Acid Attack WLR FM
Dublin Talks 98FM
Midlands today with Will Faulkner Midlands 103
Morning Focus Clare FM
The Mark Patterson Show BBC Radio Foyle
   
B6  
Sports Story  
Declan Rice – A Tragedy of Three Acts Newstalk
From Russia with Love Today FM
Meet the determined – Team Ireland at the Special Olympics World Games Today FM
Painkillers in Irish Sport Newstalk
“The Players Is The Men” (Derry 1993) RTÉ Radio 1
   
B7  
Sports Programme – Full Service  
Off the Ball – Live Newstalk
Off the Ball Newstalk
Sunday Sport – Stories and Action for over 40 years RTÉ Radio 1
Team 33 Newstalk
The Last Word with Matt Cooper Today FM
   
B8  
Sports Programme – Local/Regional  
Big Red Bench Cork’s Red FM
Carlow Rising KCLR
Now that’s what I call sport 98FM
The Score Cork’s 96FM
Weekend sports breakfast Dublin’s Q102
   
C1  
Documentary  
Documentary on one: in Shame, Love, in Shame RTÉ Radio 1
Lyric feature – In The Wind RTÉ Lyric FM
So much more than baby blues Beat 102-103
Sticking Out BBC Radio Ulster
The Rescue Clare FM
   
C2  
Music Documentary  
Documentary on One: Ireland’s First Superstar RTÉ Radio 1
Documentary on One: Johnny Cash’s Lost Tour of Ireland RTÉ Radio 1
Documentary on One in association with RTÉ Arts and Culture: The summer of Astral weeks RTÉ Radio 1
The Story of the Christmas chart topper 98FM
The Road Well Travelled RTÉ Radio 1
   
C3  
Short Feature  
Cluas Chiarraí Radio Kerry
Every Road Has a Cross to Bear LMFM
Finding your Tingle  – The Francie Boylan Show Ocean FM
Live from the past Radio Kerry
The Birth of Laylah South East Radio
   
C4  
Magazine Programme  
Countrywide RTÉ Radio 1
Moncrieff Newstalk
Plan B with Sarina Bellissimo Spin 1038
The John Toal Show BBC Radio Ulster
Valentines Day Special LMFM
   
C5  
Drama  
Jetty Stars WLR FM
RTÉ Drama on One: James’s Story by Dave Zane Mairowitz RTÉ Radio 1
RTÉ Drama on One: Northern Lights by Stephen Jones RTÉ Radio 1
The Vampire of Killaspleen Shannonside
Searching for Daddly Dee Newstalk
   
C6  
Specialist Speech Programme  
Children at the Microphone RTÉ Radio 1
Futureproof “Chances” Newstalk
Getting Better, not Bitter Ocean FM
Six Dads RTÉ Radio 1
The Blame Game BBC Radio Ulster
   
C7  
Craoltoireacht le Gaeilge  
An Saol Ó Deas RTÉ Raidió na Gaeltachta
Donall Mac Ruairi Go Domhain San Fharraige RTÉ Raidió na Gaeltachta
Fear Bean nó Idir Eatharthu RTÉ Raidió na Gaeltachta
Iris Anair RTÉ Raidió na Gaeltachta
Litreacha BBC Gaeilge
Tracy Clifford RTÉ 2FM
   
C8  
Interactive Speech Programme  
Liveline: After 82 years, Eileen Macken Finds Her Mother RTÉ Radio 1
Lunchtime Live Newstalk
Phoneshow FM104
The Neil Prendeville Show – A Mansion on the Hill Cork’s Red FM
   
D1  
Community/Social Action  
Dublin Life FM104
Giving for living radiothon Cork’s 96FM
The East Coast FM Wicklow Wide Coffee Morning East Coast FM
The Galway Bay FM Sleepout for Simon Galway Bay FM
Wish Week Classic Hits
   
D2  
On-Air Competitions/Promotions  
Beat the Bomb Spin 1038
Best of Dublin 98FM
Gotta Get It Wrong Spin 1038
Greedy Guts 98FM
The Can – A – Da Challenge Cork’s Red FM
   
D3  
Station Imaging  
98FM  
FM104  
Newstalk  
Spin 1038  
Today FM  
   
D4  
Entertainment Inserts  
Gift Grub on the Ian Dempsey Show Today FM
Fully Charged with Graham and Nathan Spin 1038
KC and Ross in the Morning Cork’s 96FM
Rise and Smile Galway Bay FM
Strawberry Alarm Clock FM104
   
D5  
Digital & Social Innovation  
Are you Watching on the Radio Ocean FM
Cluas Chiarraí Radio Kerry
Choose your own Breakfast Show 98FM
Gift Grub 2.0 Today FM
The iRadio thief iRadio
   
E1  
Music & Entertainment Presenter of the Year  
Dara Quilty 98FM
Dermot Whelan Today FM
Luke O’Faolain 98FM
Muireann O’Connell Today FM
Ray Foley Cork’s Red FM
   
E2  
Radio DJ of the Year  
David Hammond Beat 102-103
Izzy Bartak-Healey Cork’s Red FM
Killian Pettit Cork’s Red FM
Sharon Lynskey iRadio
Steve K Spin 1038
   
E3  
Specialist Music Broadcaster of the Year  
Ann Marie Kelly Midlands 103
God Knows Jonas Spin South West
Kieran McGuinness Radio Nova
Ralf McLean BBC Radio Ulster
Tom Dunne Newstalk
   
E4  
News Broadcaster of the Year  
Andrew Lowth Spin 1038
Elaine McGee BBC Radio Foyle
Gavin McLoughlin Newstalk
Karen Patterson BBC Radio Ulster
Susan Keogh Newstalk
   
E5  
News Reporter of the Year  
Aideen Finnegan Newstalk
Brian O’Connell RTÉ Radio 1
Declan Harvey BBC Radio Ulster
Frank Greaney Newstalk
Henry McKean Newstalk
   
E6  
Sports Broadcaster of the Year – Full Service  
Damien O’Meara RTÉ Radio 1
Darren Frehill RTÉ Radio 1
Joe Molloy Newstalk
Máire Treasa Ní Cheallaigh Newstalk
Nathan Murphy Newstalk
   
E7  
Sports Broadcaster of the Year – Local/Regional  
Daniel Pitcher Dublin’s Q102
Debbie Ridgard Beat 102-103
Eric White BBC Radio Foyle
Sean McCaffrey Shannonside
Tom Moynihan Radio Kerry
   
E8  
Speech Broadcaster of the Year – Full Service  
Ciara Kelly Newstalk
Ivan Yates Newstalk
Sean Moncrieff Newstalk
Sean O’Rourke RTÉ Radio 1
Stephen Nolan BBC Radio Ulster
   
E9  
Speech Broadcaster of the Year – Local/Regional  
Jerry O’Sullivan Radio Kerry
Mark Patterson BBC Radio Foyle
Neil Prendeville Cork’s Red FM
Niall Delaney Ocean FM
Sarina Bellissimo Spin 1038
   
E10  
Newcomer of the Year Award  
Brian McEvoy iRadio
Declan Wilson Q Radio
Jillian Godsil East Coast FM
Kayte O’Malley Spin South West
Sinead Brassil LMFM
   
F1  
Radio Moment of the Year  
Bosco v Dustin iRadio
Gerry Ryan Show 2FM 40 Special RTÉ 2FM
Maria Bailey Interview RTÉ Radio 1
The Neil Prendeville Show – ‘A Bubble of Brilliant-ness’ Cork’s Red FM  
The priest who anointed Lyra McKee speaks hours after the murder BBC Radio Foyle

Twitter: https://twitter.com/imroradioawards
Instagram: https://www.instagram.com/imroradioawards/
Facebook: https://www.facebook.com/IMRORadioAwards/
Website: http://www.imroradioawards.ie/

We’re Hiring | IMRO Licensing Marketing Executive

Job Title: Licensing Marketing Executive
Salary: On Request
Terms: 1 Year Fixed Term Contract

Application
Please send a CV and covering letter outlining how you meet the criteria for the role to  
Deadline for applications is 5.00pm on Friday 20th September.

Job Description
IMRO is a national organisation that administers the performing right in copyright music in Ireland on behalf of its members (songwriters, composers and music publishers) and on behalf of members of the international overseas societies that are affiliated to it.

IMRO’s Licensing Team is responsible for the licensing, invoicing and collection of royalties from businesses using copyright music, cinemas and live music venues and providing excellent licensee services including the resolution of any licensee queries which may arise.

We are currently recruiting for a full time Marketing Executive to join our Licensing Team. The successful candidate will drive activity to improve Licensees understanding of the requirement to have a music license, the commercial benefits of using music in their businesses, the importance of remunerating music creators for the use of their work while also developing Licensing communication channels.

This is a new role and a great opportunity to join a small team and make a real impact.  Until this point, IMRO Licensee marketing requirements have been delivered to very good effect by the Membership Marketing Team.  Licensing and Membership target audiences are now deemed to be different and require more specific and enhanced marketing approaches.  The successful candidate will work in the Licensing team but will also work closely with the Membership Marketing Team.

The candidate will be required to have strong communication skills, be results driven and able to work as part of a team, in a fast-paced environment.

Main Responsibilities

  • Promote and improve IMRO’s Self-Service and Self-Licensing online tool for prospective and current licences and propose enhancements to user interface.
  • Develop communications and marketing initiatives (using digital marketing and social media) relevant to licensing activity to ultimately drive an increase in DML penetration.
  • Deliver communications plan to positively influence public perception of IMRO.
  • Increase Licensee awareness of the importance of remunerating music creators for the commercial use of their work.
  • Liaise closely with the Membership Marketing Team to ensure that all IMRO messaging is clear, consistent and on brand.
  • Engage with Licensee representative bodies to take advantage of their marketing inventory to promote IMRO (e.g. VFI, LVA, Restaurants Association of Ireland)
  • Generate and implement ideas to increase Licensee engagement on various media (including social media) and digital platforms.
  • Understand the requirements of Licensees to ensure more value-added initiatives can be developed and delivered.
  • Keep up-to-date with current digital trends, evaluate new technologies and suggest new ideas to enhance the Licensing Marketing strategy.
  • Support the acquisition of new Licensees and manage existing client relationships.

Engage with existing broadcast partners to promote IMRO to national audiences.

Requirements

  • A degree in Marketing is preferred but not essential. 
  • 3 – 5 years’ experience working in a marketing role.
  • Digital Marketing and Social Media Skills within a work environment.
  • In-depth understanding of market research methods and analysis.
  • Good administration and organisational skills.
  • Creativity to come up with compelling campaigns.
  • Strong team player with ability to work on own initiative within tight policy and target guidelines.

ICE reaches €1 billion online royalties distributed to rightsholders

ICE, the world’s first integrated copyright hub, today announced it has passed the €1bn mark for digital royalties distributed to its society and publisher customers on behalf of creators. In June 2019 IMRO announced that it had become a direct customer of ICE’s Core Licence. Under the terms of this agreement, ICE provides IMRO with a full suite of licensing and administration services for online usage of its members repertoire.

ICE continues to lead the way in licensing the wide range of digital platforms benefiting from the use of music and ensuring royalties are flowed back to creators accurately and efficiently.

ICE’s first distribution was in March 2016 and the €1bn mark was reached in just 3½ years, driven by its own Core licence expansion and the processing services it provides to Sony/ATV, BMG and Warner Chappell Music.

Simultaneously, ICE continues to improve its service through ongoing process development and investment in technology. It actively promotes industry best practices on topics such as clean claiming through its participation in industry fora; and tackles problem areas such as residuals and fake streaming.

“Whilst this milestone represents a landmark for the industry in this digital era, we’re focused on continually improving the services we offer,” said Thorsten Sauer, CEO at ICE. “We are working to increase transparency and achieve even greater efficiency in getting money paid quickly and accurately to rightsholders.”

“The ICE hub provides our members with the best return for the use of their work internationally,” said Karsten Dyhrberg Nielsen, CEO at STIM. “The revenue from licences negotiated by ICE continues to grow and their scale and expertise means royalties are efficiently processed despite ever increasing data volumes.”

Kaspar Kunisch, MD at ARESA also commented “The effectiveness and efficiency achieved by ICE in this day & age is great news for rightsholders, and to reach such a milestone in such a short time is an endorsement of their collaborative approach. Combined with the upcoming initiatives we’re excited by the future.”

About ICE

ICE offers a flexible suite of services for Publishers, Collective Management Organisations (CMOs) and Rightsholders. Services include; copyright administration, multi-territorial online licensing processing and Digital Service Provider (DSP) licensing solutions. ICE was created by PRS, STIM and GEMA and represents over 290,000 rightsholders alone through this partnership. ICE has processed trillions of online music uses from music streaming services and paid over €1 billion back to rightsholders since March 2016. The ICE copyright database holds over 36 million musical works. ICE is based in the UK, Germany and Sweden.

Tradition Now at NCH 1 – 6 October

Across six evenings the National Concert Hall hosts a wealth of musical talent which reflects the evolving folk genre.

Rough Trade supremo Geoff Travis has always been a man ahead of the curve, with the establishment of River Lea records which embraces traditional and contemporary folk he has reflected the rapid growth in interest in all forms of the genre. As part of Tradition Now he curates a special evening of River Lea artists; BBC Radio Folk Award nominee Lisa O’Neill,  brothers Brían and Diarmuid Mac Gloinn aka Ye Vagabonds whose harmony rich folk singing draws on traditional Irish and Appalachian sources and BBC Radio 2 Young Folk Award winner, Skye piper Brìghde Chaimbeul.

Elsewhere in the programme, Sam Amidon makes a welcome return to the National Concert Hall for a protest song-inspired event. Over the course of his impressive career Amidon has guested on album by luminaries such as The National, Glen Hansard, Olof Arnalds and The Blind Boys of Alabama. An accomplished guitarist, in 2017 he toured as a soloist with the Australian Chamber Orchestra. For his Tradition Now performance he presents a program of his own music with a cast of improvising musicians fusing trad and jazz.

The second part of this special double-bill is a musical celebration of the struggle for civil rights in Ireland and America Sounds Like Freedom. The project sees celebrated concertina player Niall Vallely join forces with American power-jazz trio Harriet Tubman who have worked with the likes of Living Colour, Lou Reed, Herbie Hancock, Sting, Arrested Development and Henry Rollins. On the night they will be joined by singer Karan Casey, harpist Una Monaghan and fiddle player Aidan O’Rourke.

Also in the series, Liam O’Flynn Award recipient Úna Monaghan presents a concert of her compositions for harp and electronics, former Stockton’s Wing man Steve Cooney joins forces with flute player and uilleann piper Barry Kerr and the rare duet of Irish harp and Uilleann Pipes takes centre stage when Laoise Kelly and Tiarnan Ó Duinnchinn present an eclectic selection of historical tune and song air types from different parts of Ireland.

In a very special performance in the Pepper Canister Church, original Bothy Band fiddle player Paddy Glackin teams up with organist Catherine Ennis (daughter of Seamus, the centenary of whose birth we celebrate this year) and lauded piper and cellist Neil Martin for a mix of traditional airs and newly-composed works.

October 1 – Una Monaghan
October 2 – Steve Cooney and Barry Kerr
October 3 – Catherine Ennis, Paddy Glackin and Neil Martin
October 4 – Laoise Kelly & Tiarnan Ó Duinnchinn
October 5 – Lisa O’Neill, Ye Vagabonds and Brìghde Chaimbeul
October 6 – Sam Amidon and Sounds Like Freedom

Tickets from €15

Ticket Offer: Book tickets to two main stage concerts listed for Tradition Now 2019 and save 5%

nch.ie 01 417 0000

Tradition Now is supported by The Arts Council, The Irish Times as Print Media Partner and Davy as Innovation Partner.

Job Opportunity: Music Generation Development Officer, Meath

Louth and Meath ETB is now inviting applications for the position of Music Generation Development Officer, Meath.

Post Reference Number: C218

A Music Generation Development Officer will be appointed by Louth and Meath ETB and will be responsible for managing an extensive performance music education programme on behalf of the Meath Local Music Education Partnership.

Meath has recently been selected for participation in Music Generation – Ireland’s National Music Education Programme, which is co-funded by U2, The Ireland Funds, the Department of Education and Skills and Local Music Education Partnerships.

Five year, fixed-term contract (€46,771 – €57,157)

Application form, job description and person specification and other details available from – www.etbjobs.ie

Closing date for receipt of completed application forms is: 12 noon, Friday 13th September 2019

Late and/or incomplete applications will not be accepted.

Based on the volume of applications received short-listing may apply. Short-listing will take place on the basis of the information provided in the application form. Depending on the qualifications and experience of applicants, short-listing thresholds may be significantly higher than the minimum standards set out.

Louth and Meath ETB is an equal opportunities employer.

Ireland Music Week Announce Second Round of International Delegates

Ireland Music Week (IMW) are delighted to announce that three new music industry partners: CD Baby, Andrson, and Budget Music Videos, have come on board to support the IMW conference to help with business and artist development. They join long-standing supporters The Arts Council, Culture Ireland and Dublin City Council Local Enterprise Office, and media partner RTE 2FM.

IMW has also announced a second round of international delegates who will speak at the conference and the showcases. The event will be Ireland’s largest gathering of bookers, labels, managers, music supervisors, radio folk and journalists from around the world, and here at home. The five-day program will see a mixture of workshops, discussions, and panels for artists across all levels. Tickets are available on EventBrite at https://www.eventbrite.ie/e/ireland-music-week-tickets-64779562415.

Angela Dorgan, CEO of First Music Contact said: “We knew our ambition to grow from a three day artist-centered event to a five day business and artists event would need the support of the wider music industry from partners whose ambition matched ours. We are incredibly grateful for the support we’ve received from the music and music tech industry, and local and national government support for Ireland Music Week 2019. With the support of our partners, we’ll expand the breadth of our professional development offerings for artists and those who work with them, as well as showcase those artists to a global audience.”

CD Baby Artist Bursary

Online music distribution powerhouse CD Baby has partnered with Ireland Music Week to support the professional development of Irish artists. All 50 IMW showcasing artists will receive a CD Baby distribution package, and one showcasing artist will win a CD Baby Artist Bursary. The €2500 grant will provide one band or solo artist with the time and resources to develop their artistic practice, as well as mentoring and a comprehensive artist services package from CD Baby to support them every step of the way. The winning act will be selected by international industry delegates attending Ireland Music Week from among the 50 showcasing artists. At the conference, CD Baby will also offer workshops not only for artists, but also for labels and managers, covering a breadth of topics for the independent musician.

Rich Orchard, Director of European Market Development at CD Baby, said: “Having recently opened our first European office, we’re delighted to partner with Ireland Music Week this year as part of their biggest annual event yet. We’re going to shine a spotlight on all 50 of these wonderful showcasing artists, and I look forward to charting the development of our inaugural IMW bursary winner. As well as preferred distribution to digital stores, we’ll be offering IMW artists best-in-class services across publishing admin, digital marketing, video monetization and sync representation; doing all we can to help support this stage in their careers.”

Andrson: New Digital A&R Platform

Ireland Music Week has also partnered with Andrson, a new music startup using predictive analytics and audio AI to reinvent digital A&R. Andrson is offering an exclusive opportunity for 2019 Ireland Music Week showcasing artists and applicants to be first users of the Andrson platform. The benefits for artists include: direct exposure and communication with industry (labels/management/agents), profitable discovery and monetization of their music, control over their profile and uploads, and access to bespoke analytics. Industry benefit from effortless discovery and faster capitalization of new music. Andrson will officially launch its new platform at Ireland Music Week, and acts joining the pilot will be the only artists discoverable on Andrson during the conference. The Andrson team will also offer workshops for artists on how to get the most out of the platform.

Zach Miller-Frankel, Founder and CEO of Andrson said: “Andrson is poised to be the global leader in digital A&R, but more than that, we are all about giving artists the advantage. We can think of no better way to do that than by partnering with Ireland Music Week to showcase the amazing wealth of Irish music.”

Music Video Production Master Classes

Budget Music Videos joins Ireland Music Week as a conference exhibitor for 2019. Their production team will lead workshops for delegates on ‘How to Make Great DIY Music Videos.’ Artists and conference delegates will also have the opportunity to test the new Budget Music Videos platform.

Loraa White, Company Director for Budget Music Videos said: “Video is king when it comes to building your audience and engaging fans—and it doesn’t have to cost a fortune. We’re delighted to partner with Ireland Music Week to share insights on how to make a high-quality DIY music video on a budget, from selecting and working with a production team, to communicating your vision, storyboarding, planning your shoot, editing, and more.”

Second Round of International Delegates

Ireland Music Week has also announced a second round of international delegates who will attend the showcases and take part in the packed conference, including top music supervisors, agents, talent managers, and many more. Read their bios at: www.irelandmusicweek.com/conference-speakers.

We are really thrilled with the number and calibre of speakers and buyers this year, and today’s list brings our gender balance at the event to 50/50, which is what we try to achieve every year,” said festival organizer Angela Dorgan. “In the face of Brexit, we have especially concentrated on keeping the doors open to our nearest neighbours. We would not have been able to welcome so many guests without the support of See Here funds from Culture Ireland and we are immensely grateful to them.

Andrea Madden – Channel 4 / Made in Chelsea

Angel Gambino – Rhapsody International (Napster)

Carly James – Paradigm Talent Agency

Claire Courtney – Earth Music Agency

Corrina Kavanagh – Columbia Records UK

Gabrielle Corbett – Vevo

Gary Cohen – ATC Management

Geoff Travis – Rough Trade Records

Janet Lopez – Neophonic

Jennifer Reeve – Neophonic

Josh Mateer – Parlophone

Loraa White – Budget Music Videos

Mark Lippman – Scruff of the Neck

Orla Gorman – Universal Music UK

Sam Heerey – Double Six Rights

Sarah Besnard – ATC Live

(With more to be announced in the coming weeks)

More About Partners:

CD Baby

CD Baby gets independent artists paid weekly for their music in all the ways musicians earn money today: streaming, downloads, video monetisation, physical sales, publishing royalties, sync licensing and more. Over the past two decades, it has grown to become the largest global distributor of independent music, the largest publishing rights administrator in the world, one of the most trusted names in the industry, and the go-to educational resource on topics such as music marketing, rights management and more. CD Baby is proud to work on behalf of 750,000 recording artists worldwide, helping them build a better bridge between their creativity and the revenue sources they need to start a successful career in music. In 2018, CD Baby opened their first UK & European office in London.

Web: https://cdbaby.com

Andrson

Founded in 2018, Andrson is the solution to the music industry’s largest problem – digital A&R. We use predictive analytics and audio AI to link unsigned talent with music industry professionals. Basically, Andrson focuses on audio analysis to enable rapid discovery of musicians whose sound fills the empty slots on your roster. So if you need to sign a female singer between the ages of 20-25 within 100 km of London who sounds at least 80% like Adele, Andrson is the answer.

Web: http://andrson.com

Budget Music Videos

Budget Music Videos is a music video production company based in the UK and Ireland. The company has been established since 2013 and work closely with independent musicians. The website offers a wide range of services including Music Video Production, Pre-Made Stock Music Videos, Music Video Marketing and Music Video Tutorials.

Web: www.budgetmusicvideo.co.uk

|| Ireland Music Week is supported by The Arts Council / Culture Ireland / Dublin City Council Local Enterprise Office (LEO) / RTÉ 2FM ||

Twitter: @irlmusicweek | Facebook: @irelandmusicweek | Instagram: @irelandmusicweek

http://irelandmusicweek.com

We’re Hiring | Distribution Assistant Vacancy

Job Title: Distribution Assistant
Salary: On Request
Terms: 1 Year Fixed Term Contract

Application
Please send a CV and covering letter outlining how you meet the criteria for the role to
Deadline for applications is 5.00pm on Wednesday 4th September.

Job Description
IMRO is a national organisation that administers the performing right in copyright music in Ireland on behalf of its members (songwriters, composers and music publishers) and on behalf of members of the international overseas societies that are affiliated to it.

IMRO’s Distribution Team is responsible for the efficient distribution of royalties, overseeing repertoire and providing excellent member services including the resolution of any member queries which may arise.

We are currently recruiting for a full time Distribution Assistant to join our Distribution Team. The successful candidate will contribute to the provision of an efficient distribution and membership service by carrying out a variety of clerical/administrative duties with a strong emphasis on data entry, data manipulation and data processing.

This is an entry level role and ideal for someone looking to develop a career in the business aspects of the music industry.

The candidate will be required to have strong communication skills, be results driven and able to work as part of a team, in a fast-paced environment.

Main Responsibilities

  • Work as part of a team of 5 Distribution Assistants, with support from Distribution Officers & Distribution Manager.
  • Entering data into electronic form (e.g. work registrations, gig lists, set lists etc.).
  • Matching music titles against repertoire databases.
  • Matching data from live music performances to repertoire.
  • Investigating member queries.

Requirements

  • Must have previous experience in an administration or similar role.
  • Must have good keyboard skills, strong organisational skills and possess keen attention to detail.
  • Must have good knowledge of Microsoft Word and Excel.
  • A good general knowledge of music would be desirable.

IMRO Christie Hennessy Song Contest 2019 Announced

Entries are now open for the IMRO Christie Hennessy Song Competition 2019 which takes place in memory of one of Tralee’s most famous sons. Songwriters are invited to submit an audio link for their entry by email to  before the deadline of Friday 20th September 2019 (NOTE: PLEASE DO NOT EMAIL AUDIO FILE ATTACHMENTS).

Ten finalists will be selected to perform their song at the live final of the contest on Saturday 2nd November in The Ashe Hotel, Tralee, Co. Kerry, with the winning songwriter being presented with a cheque for €1,000 courtesy of IMRO and Tralee Credit Union. A runner up prize of €300 will also be presented on the night.

A Tralee native, Christie Hennessy began his music career at a young age when he moved to London, playing in clubs by night and working on building sites during the day. He started writing songs at the age of 23 and went on to release numerous platinum selling albums.

Christie’s songs were later recorded by artists such as Christy Moore (“Don’t Forget Your Shovel”), Frances Black (“All The Lies That You Told Me”), Moya Brennan (“Oh Jealous Heart”) and Nizlopi, who reached Christmas Number 1 in UK and Ireland in 2005 with their hit “JCB Song”, sampling Christie’s lyrics from “Don’t Forget Your Shovel”.

The deadline for entries is Friday 20th September 2019


IMRO CHRISTIE HENNESSY SONG COMPETITION 2019

RULES OF ENTRY

1. The lyrics and music must be the original work of the songwriter(s).
2. The competition is open to all types of song, in any style – ballad, country, pop, rock etc.
3. Songs may be entered in either the English or Irish language.
4. The competition is open to national and international songwriters.
5. Songwriters may only enter one song for consideration.
6. Entries will not be returned – all songwriters should retain a copy of their song submission.
7. Entries can be submitted via an online link to your song to  (NOTE: Please do not email audio file attachments) or on a CD by post to the address below. All entries must be accompanied by a copy of the lyrics; typed or clearly written.
8. Finalists will be notified by Friday 11th October 2019.
9. The provisional adjudication will be on the basis of the tracks submitted, from which 10 finalists will be chosen.
10. Each of the 10 finalists will be invited to take part in a live concert in Tralee on Saturday 2nd November 2019. Backing tracks are not permitted for this performance.
11. Each songwriter will be responsible for providing the singer and/or group for his/her entry in the final at his/her own expense.
12. A first prize of €1,000 will be presented to the winning songwriter on the night of the final. A runner-up prize of €300 will be presented to the second placed finalist.
13. Final adjudication will be on the night of the final. Decisions of the adjudication panel will be final.
14. Entry for the contest implies acceptance of all the rules.
15. Postal entries should be sent to:

IMRO Christie Hennessy Song Contest 2019
C/o Irish Music Rights Organisation (IMRO)
Copyright House
Pembroke Row
Lower Baggot Street
D02 HW59
Ireland

IMRO | The Mechanics of Music Management | Seminar Series

‘Mechanics of Music Management’ seminar series in association with the Music Managers Forum (MMF) and delivered by Chris Cooke from CMU Insights will explore best practice and current trends in artist management.

Together these sessions will provide a comprehensive guide to artist revenue streams and business models, record deals, fanbase building and direct-to-fan relationships, and explain where the manager fits in with each of these strands of the business.

These seminars will be of interest to those starting out in artist management, artists who self-manage their careers and also for more experienced managers looking to gain a fresh insight into new trends and management strategies.


THE MECHANICS OF MUSIC MANAGEMENT | PART ONE

Date: Wednesday 25th September 2019
Time: 11am – 5.30pm
Location: IMRO, Copyright House, Pembroke Row, Dublin 2
Bookings: FREE Event | Booking Essential | Email:

DEALS, DATA AND THE ARTIST/MANAGER RELATIONSHIP

This full day course looks at how artists build a business around their music, and the manager’s role in making that happen. Along the way it covers music revenues, artist companies, business partners, management deals and fan data. Chris Cooke from CMU Insights leads the proceedings with a series of presentations – including insights from the MMF’s ground-breaking ‘Digital Dollar’ work. Plus hear from guests working in management, marketing and deal-making. 

Music Revenues
How do artists make money out of their music and what business partners do they work with to unlock each revenue stream? We put the spotlight on the intellectual property, live performance and fan relationship strands of the music business.

The Artist/Manager Relationship
What role does the manager play in each artist business and how does this impact on the artist/manager deal? We look at how the artist/manager relationship can vary, over time, and depending on who the artist is and the kind of business they are evolving.

Companies & Money
How does an artist go about structuring their business and managing their money? What questions need to be answered and what formalities need to be completed to ensure everything is agreed, legal and secure? Plus how does the manager facilitate this process?

Building A Fanbase
At the heart of every artist’s business is their fanbase. How can artists formally connect with and start to understand the core fanbase, and how does that process drive the business?

Fan Data
As the artist’s business grows, they will start to gather valuable data about their fanbase. Or at least, the platforms and partners they work with will! How can artists ensure that they have access to that data – and how can they legally utilise it to grow their business.


THE MECHANICS OF MUSIC MANAGEMENT | PART TWO

Date: Friday 25th October 2019
Time: 11am – 5.30pm
Location: IMRO, Copyright House, Pembroke Row, Dublin 2.
Bookings: FREE Event | Booking Essential | Email:

STREAMING, LABELS & THE DIRECT-TO-FAN RELATIONSHIP

This full day course looks at how artists make money out of their songwriting and recordings, and puts the spotlight on the streaming revolution. It also looks at how digital channels provide other opportunities for artists beyond the streams. Chris Cooke from CMU Insights leads the proceedings with a series of presentations – including insights from the MMF’s ground-breaking ‘Digital Dollar’ work. Plus hear from guests working in management, music rights and streaming.

How Music Rights Make Money
How can artists generate income through their songwriting and recordings? We provide a speedy guide to music rights, and explain what artists need to do to ensure they get paid whenever their music is copied, streamed, performed and played. Plus what should managers be doing to ensure their clients’ rights are properly logged and monetised?

The Digital Music Market
Streaming now accounts for nearly half of all recorded music revenues worldwide. We provide an overview of the digital music market today, and explain how artists and songwriters get paid when their music is streamed. Plus what are the key issues with the current streaming business model, and how can artists and managers get things changed?

The Role of The Label
Artists still need specialist business partners to help them get their music streaming. Labels do that of course. But so do distributors and label services companies. We look at the role labels play in building an artist’s business today, and at the different label and distribution deals that artists and their managers can now choose from.

Building A Direct-To-Fan Business
Beyond the streams, the biggest revolution in music caused by the rise of digital is the online direct-to-fan relationship. How can artists and their managers utilise all the fan data and D2F channels to truly capitalise on that fan connection?


About Chris Cooke
Chris Cooke is co-Founder and MD of CMU, a company that helps people navigate and understand the music business. It does this through media like the CMU Daily bulletin, Setlist podcast and CMU Trends library; consultancy units CMU Insights and CMU Pathways; and future talent programme CMU:DIY. He also programmes core conference strands at The Great Escape showcase festival and wrote the book ‘Dissecting The Digital Dollar’. CMU is part of Chris’s business 3CM UnLimited, through which he also publishes cultural media ThisWeek London and ThreeWeeks at the Edinburgh Festival; and teaches for PR training charity the Taylor Bennett Foundation.

https://completemusicupdate.com

About the Music Managers Forum (MMF)
The MMF is the world’s largest professional community of music managers. Since its inception in 1992, the MMF has worked hard to educate, inform and represent its members as well as offering a network through which managers can share experiences, opportunities and information.

Its core purpose is to:

  • Educate: To support managers’ continuous professional development within an evolving music industry.
  • Innovate: To create and highlight opportunities to develop and grow artist businesses.
  • Advocate: To provide a collective voice and leadership to affect change for a transparent and fairer music industry for artists and their fans.

https://themmf.net/

Pioneering international gender balance initiative Keychange receives over €1.4m from the EU Commission

The IMRO sponsored pioneering international gender balance initiative, Keychange, has received funding of €1.4million from the Creative Europe programme of the European Union, which will ensure Keychange continues to accelerate change and create a better, more inclusive music industry for present and future generations.

The new programme will span September 2019 to September 2023. More details of the second phase of the programme will be unveiled at Reeperbahn Festival 2019, which takes place Wednesday 18th September – Saturday 21st in Hamburg, Germany. Keychange ambassadors Kate Nash and Joy Denalane, as well as Barbara Gessler (European Commission), Alexander Schulz (Keychange co-founder and CEO of Reeperbahn Festival) will present details of “Keychange 2.0“ on Thursday 19th September at 11.00 am. 

The initiative founded by PRS Foundation has expanded with like-minded European partners and sponsors who believe that the future of music will benefit from a more balanced representation of all genders across all aspects of the industry. Reeperbahn Festival will lead the second phase of Keychange, working closely alongside PRS Foundation (UK), Musikcentrum Öst (Sweden), Iceland Airwaves (Iceland), Tallinn Music Week / Shiftworks (Estonia) and BIME Festival (Spain). The new partners are Ireland Music Week (Ireland), Oslo World Festival (Norway), Linecheck Festival / Innovation Hub (Italy), and SACEM (France). Key sponsors include – Gorwelion Horizons, SOCAN, Soundcloud, STIM, STEF, IMRO, GEMA, Songtrust, Fundacion SGAE, Factor, British Council, Ableton, Smirnoff Equalizer, and Roskilde.

Originally set up as a talent development programme for 60 artists and innovators, Keychange has quickly become a global movement for festivals which want to demonstrate their commitment to achieving a better gender balance across their stages for the next generation of artists and fans. 

Since launching in September 2017, over 250+ music organisations from all over the world  have signed the Keychange pledge towards achieving a 50/50 gender split across line-ups, conferences and commissions by 2022. In  November 2018 the initiative undertook a landmark step towards achieving its goal of encouraging a gender-balanced music industry worldwide. In collaboration with key festival partners, Keychange presented a manifesto for change at the European Parliament in Brussels, with the aim of increasing and sustaining representation of marginalised genders in the music industry.

Earlier this year Keychange extended the initial 50/50 festival pledge to include conservatoires, orchestras, broadcasters, concert halls, agents, labels and any music organisations to encourage a better gender balance in the music industry. Over 60 leading music industry organisations have signed the extended pledge so far, including: Royal Opera House, English National Opera, Royal Liverpool Philharmonic, Royal Birmingham Conservatoire, Southbank Centre, Bella Union and the Barbican as well as German based record label Ferryhouse Productions and radio station ByteFM. Spanning over three years, the second phase of the programme will see Keychange empower a new network of women, trans and non-binary artists and innovators to showcase and collaborate across the music industry, in the UK, Europe and North America.

Keychange stimulates talent development, exchange and innovation by creating new international opportunities for performance, creative collaboration and capacity building amongst women, trans and non-binary musicians and innovative industry professionals who are pushing the boundaries of their practice.  The aim is to lead inclusive debate and action which promotes the role of underrepresented genders in music and the potential creative and economic contribution they could be making to Europe’s music industry.

Having recently spoken out about her previous experiences of the music industry, Kate Nash says: “Pop culture feels so far ahead but the reality of how a lot of people live every day is way behind that. So, it does make sense, that we are dealing with these problems because the archaic structures are so hard to knock down and it changes so much of the way the world is run, so it is like a slow burn really. It is like in the movie “Shawshank Redemption” when he like scratches his way out of that prison and it takes years, because it is just scratch by scratch. I think I would like to be one of the scratches, so eventually someone will burst into the tunnel. But at the moment it’s about being a scratch. Because without each of those scratches we will never get there!”

Christina Schäfers, Head of Reeperbahn Festival‘s programmes in arts, word and film, has recently been appointed Project Lead for Keychange. Having worked on the initiative from the beginning, Christina will now take the lead at a superior level for the mandate of the European Commission, as well as work across tasks and topics that go beyond the EU funded activities. 

Christina Schäfers, Head of Reeperbahn Festival Arts Programme says: “The transformative power of Keychange is visible and increasing: Talented, smart and extremely well connected people and organizations join forces for the shared idea, that diversity is culturally enriching and economically more successful. Within the next four years we’ll focus on concrete aims and measures to keep on creating a better, more inclusive music industry. Since culture has always been a source of inspiration for necessary change, we look forward to inspiring and be part of the future of our society.”

Website: keychange.eu
Twitter: @KeychangeEU
Facebook: @KeychangeEU
Instagram: @KeychangeEU

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